Nancy Whitter Cotuit Center for the Arts Performance May 2019
With piece of work ranging from paintings, mixed-media and graphics and sculpture, digital art and photography, the Rockport Fine art Association & Museum's Experimental Grouping holds its twelfth group exhibition, "Unexpected No. Twelve," from November 2 through 17 at the Rockport Art Clan and Museum, 12 Master St., Rockport, Massachusetts. "The Experimental Group is a creative forum whose main mission is to increase public awareness and to foster cocky-expression past bringing artists together to explore and share ideas that cultivate artistic freedom." The exhibition is followed past the Rockport Art Association and Museum'southward National Show 2019 which opens on November 23 and continues through January 1. The gallery is open Tuesday through Sabbatum from ten a.k.-5 p.m. and on Sunday from noon-5 p.m.
Elegant landscapes and still life paintings, evocative portraits and painted nudes, beguiling drawings and powerful statuary sculptures, the culmination of xx years of work, are featured in "Pamela Pindell: Sleight of Hand," which opens November 2 and runs through Dec 7 at the Guild of Boston Artists, 162 Newbury St., Boston, Massachusetts. Her work shows a deep agreement of beefcake, and rich emotional ties to her subjects. "My hope is that my work translates the beauty I encounter, is perhaps universal, and that I get to tell my story while my viewers tell their own," said Pindell, whose desire to communicate and to express emotion is matched but past her technical mastery of her craft and ceaseless energy to create. On Saturday, November xvi at 1 p.g., she'll be at the gallery for an artist sit-in.
A fine fine art and ecology photographer, James Hunt'southward artwork explores the interface between gild and the surroundings, and the tension within that relationship. For his latest exhibition, "Deindustrialization," Hunt documented the once thriving cloth mills that populated the Blackstone River Valley in central Massachusetts and Rhode Island that at present sit abandoned, burned, repurposed, or left waiting. "This serial of images is intended to convey the spirit and hazards of 'boom and bosom' economics and raise questions regarding the costs incurred by industrialization without consideration of the long-term impacts." The exhibition will be on view from Nov vii through January 10, 2020, at the Hollister Gallery, Babson College, 231 Wood St., Wellesley, Massachusetts.
"Collective Ecologies," works past Sandra Baker, Sarah Gately, Ricardo Maldonado, Marc Newton, Ponnapa Prakkamakul, Pam Roberts, Irene Stapleford and Joanne Tarlin, who through their art "scrutinize the natural world through unique perspectives that reveal its depth and the variety of ways in which humans discover and revere it," takes place from November 8 through Dec twenty at the Brookline Arts Center, 86 Monmouth St., Brookline, Massachusetts. Simultaneously, BAC will too be featuring "We Used to Exist Workingglass," unique glass works by John Bassett.
"Abstract Abracadabra," a collection of new work by Rosalie Cuticchia, a member of the National Association of Women Artists, will be on view from November 12 through 24 at the Newburyport Fine art Association (NAA), 65 Water St., Newburyport, Massachusetts. The prove celebrates the alchemy of turning paints into artistic gold. "Cuticchia's intuitive piece of work focuses on color, grade, texture, movement and line, and pays homage to the complexities of painting in the abstruse manner." The NAA'due south Annual Holiday Gift Show and Auction follows from November 29 through December 24.
Featuring sculptures and paintings that explore identity, gender, and emotional spaces through a visual language of curvilinear forms and bold colors that link her works beyond media, "Wylie Garcia: Radical Softness" opens on November xx with a reception from 12-1pm and continues through December nineteen at the Danforth Gallery at the Academy of Maine at Augusta, 46 Academy Bulldoze, Augusta, Maine. The exhibition, which spans a decade of work, got its name from a quote by poet Lora Mathis, "Radical Softness every bit a Weapon" — which Garcia said serves as "a reminder for me that I am strongest when I tap into my softness…when I requite a voice to my vulnerability… [when I] connect to something beyond myself." The collection on view will feature her sculptural dresses of rich satins and gauze, subtle drawings in graphite and gouache, and recent awe-inspiring paintings resembling textiles and tapestries. "This focused look at a decade of creative practice demonstrates Garcia'southward encompassing vision across media and her engagement with the personal as political."
"Terra Incognita – Exploring New Terrain," an exhibition of new large-scale digital and mixed-media prints by Mary Doering, remain on view through November 17 at the Cotuit Middle for the Arts, 4404 Falmouth Rd. (Route 28), Cotuit, Massachusetts. "Known for her abstract prints and prizewinning photographs, Doering has dramatically altered the scale of her work. These new prints will surprise and astonish the viewer with their telescopic, color and ingenuity." Accepted to creating smaller works, this dramatic alteration in scale let Doering utilise "mystery, spontaneity and unpredictability to dictate the direction of the process."
Artists from around the United States join the likes of Boston artists Mimi Kirchner — who draws on the circus sideshows of the past with her tattooed strongman dolls — and sculptor Skunkadelia and his family of robot figures made from discarded metal parts for "Child's Play" from November 21 through Jan 18, 2020 at the Society of Arts + Crafts, 100 Pier 4 Blvd., second floor, in Boston'south Seaport Commune. These unique works "exploring the markers of childhood through the lens of adulthood" will exist complemented by vintage toys from the Wenham Museum. "The contrast between perception and reality in this show is clear in both the concepts and the executions of these works," said executive director Brigitte Martin, who joined SA+C in March.
Exploring the relationships and interaction of figures and how they can be expressed in course and color in prints, "Shadows," the latest exhibition of works by Michael H. Zack, runs through Nov 24 at City Gallery, 994 State St., New Haven, Connecticut. "The interrelationships and motion within the panoramas are supported by a vibrant, subtle and nuanced range of colors. Shorn of distinguishing facial features and clothing particular, his figures become anyone and everyone, yet they are uniquely private and somewhat mysterious." But, are they based in reality? "They are frequently, but not e'er, based on people I know and take had the opportunity to find as they go most their daily lives," Zack said. "Taken out of those contexts and rearranged into a panorama that has a narrative all its own, each limerick allows the viewer to interpretthis world in his or her ain way." Urban center Gallery is open Thursday through Lord's day from 12-4 p.k.
The 10th annual Flying Horse Outdoor Sculpture Exhibit, featuring over 50 works past artists working in a multifariousness of mediums and styles, remains on view through November 30 on the 100-acre campus of Pingree Schoolhouse, 537 Highland St., South Hamilton, Massachusetts. Located only minutes from the popular N Shore seaside communities of Gloucester, Rockport and Ipswich, information technology's a unique setting to run across artists whose works have been displayed at the DeCordova Museum and Sculpture Park, Chesterwood, The Mountain, The Crane Estate and in galleries throughout the country. Visitors to the gratuitous, vii days a week from duskto- dawn exhibition can pick upwardly a full-color catalog from a campus mailbox or see a total list of participating sculptors at pingree.org/sculpture-evidence.
Claudine Bing's "Cosmic History" exhibition, which runs through December 1 at Galatea Fine Art, 460 Harrison Ave. #B- 6, Boston, Massachusetts, is "an imaginative exploration of stars, planets, gravitational waves and black holes." Noting that while a scientist uses telescopes and mathematics to answer questions well-nigh our origins and about our human place in space and time, Bing stated that, as an artist, she dreams about how our cosmos began involved and transfers those fantasies into paintings. "I study and imaginatively transform the facts of astrophysics. I pigment nigh the passing of time, the aggregating of memories, our possible origins." Indeed, at that place may too be many psychological and emotional forces at work in the human subconsciousness and in these paintings, Bing encourages you to question the origins of our thoughts and deportment — and whether part of the DNA in our retentivity banks holds a view of the origin of our planet. As well on view at Galatea in November: "Marsha Nouritza Odabashian: Stir: Drawings and Paintings from the Onion Pot" and "Vicki Kocher Paret: Among Trees."
The combination of strong research piece of work by fine art scholars and generous loans by holders of the work of William Trost Richards (1833-1905) fabricated the current "Hieroglyphs of Landscape" exhibition that remains on view through December viii at the McMullen Museum of Art at Boston College, 2101 Democracy Ave., Boston, Massachusetts, possible. The show is the first monographic await at the 19th century landscape painter'south art to be shown in the city and features more than 190 oil paintings, watercolors, drawings and sketchbooks — some loaned by direct descendants of the artist. Exhibition curator and Boston College Professor Emeritus of Art History, Jeffery Howe, said that Richard'south paintings, "reveal an obsessive business concern to depict the external world honestly and with scrupulously observed detail, reflecting the influence of Victorian era English fine art critic John Ruskin. Radiant with dazzler, his landscapes are increasingly relevant for their environmental implications."
"The Light Collectors," figurative paintings and abstract collages by Catalina Viejo Lopez de Roda, become on view on December 7 and remain on view through Jan eighteen at HallSpace, 950 Dorchester Ave., Dorchester, Massachusetts. "This drove focuses on images taken from my memories, dreams and experiences of female intimacy. The rainbow often weaves itself through the paintings and collages as a symbol of inner lite and connection," Viejo Lopez de Roda said. "Many of my paintings require the participation of the viewer by opening and closing wooden panels built on the paintings' surface (similar to diptychs and triptychs). The works merge painting with three-dimensional elements and often present a bright palette within a darker psychological context."
Combining and transforming hand-stitched pieces of old cloth into new contexts — with some inspired by their histories, and others past formal concerns or visual associations, "Janie Cohen: Rogue Material Work," an exhibition of textile assemblages created by artist, curator and museum director Cohen over many years, is a unique collection of compelling stories that are on view through Dec 27 at the Vermont Supreme Court Gallery, 111 State St., Montpelier, Vermont. "Fabric has long attracted and fascinated me as an artistic medium," Cohen said. "Quondam cloth, which is chiefly what I piece of work with, holds so much history in its origins and design, its traces of age and use. It offers an endlessly rich starting indicate and can atomic number 82 me to surprising places." Which this gallery is, presented in a unique setting. The gallery is open up Monday through Friday from eight a.1000.- 4:30 p.m. and will be open up during the Montpelier Art Walk on Dec 6 from 4-7 p.m.
"The View from Here: Local Landscapes" by Jennifer Hubbard will exist on exhibit through Dec 27 at the Gallery at River Arts, 74 Pleasant St., Morrisville, Vermont. Hubbard, who studied painting and drawing at the Mitchell School of Fine Arts, and the Maryland Institute College of Art, moved to Vermont in 2009. "Her oil paintings feature scenes from Lamoille and Orleans counties, and capture barns and agricultural subjects in the brilliant illumination of belatedly afternoon lite. In some paintings, she tweaks her color palette to add a gimmicky, surreal twist on traditional rural landscape painting. The resulting paintings merge realistic, recognizable scenes with a affect of painterly abstraction." The gallery is open Monday through Friday from 9 a.chiliad.-4 p.m.
Source: https://artscopemagazine.com/2019/10/capsule-previews-november-december-2019/
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