Old Cathedral Floor Plan Drawings

Floor programme showing sections of walls and piers

Amiens Cathedral floorplan: massive piers support the due west terminate towers; transepts are abbreviated; vii radiating chapels form the chevet reached from the ambulatory

In Western ecclesiastical architecture, a cathedral diagram is a floor program showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing. Low-cal double lines in perimeter walls indicate glazed windows. Dashed lines show the ribs of the vaulting overhead. By convention, ecclesiastical floorplans are shown map-mode, with north to the pinnacle and the liturgical east end to the right.

Many abbey churches accept floorplans that are comparable to cathedrals, though sometimes with more emphasis on the sanctuary and choir spaces that are reserved for the religious customs. Smaller churches are similarly planned, with simplifications.

Pattern [edit]

Cathedral floorplans are designed to provide for the liturgical rites of the church.[one] Before the legalization of Christianity by Emperor Constantine, Christians worshiped in private homes or in secretive locations.[2] Once legally able to publicly worship, the local congregations adapted the available Roman designs to their needs. Unlike the Roman and Greek religions, where priests performed rituals without public participation, Christian worship involved the believers. Thus, the express spaces typically used in pagan temples were not suitable to Christian worship.[2] Roman civic buildings were designed for the participation of the citizens of the city, and thus the Roman Basilica was adopted for Christian purposes. This included an entry on ane end of a long narrow, covered space with a raised belvedere at the other finish. Upon the belvedere, public officials would hear legal cases, or expound on some thing of public interest.[2] Christians adopted the long hall of the basilica for the public liturgy of the Mass.[ citation needed ]

Glossary [edit]

  • Alley: A pair of walkways that are parallel to the master public spaces in the church, east.thousand. nave, choir and transept. The aisles are separated from the public areas by pillars supporting the upper walls, chosen an arcade.[3]
  • Ambulatory: A specific proper name for the curved aisle effectually the choir[2]
  • Apse: The end of the building opposite the primary entry. Often circular, but it can exist angular or flat. In medieval traditions, it was the due east cease of the building.[3]
  • Buttress: Large stone pier holding the roof vaults in place.[3] A buttress may be visible as in the Gothic flying buttress, or information technology may be hidden in the complex of aisles and galleries.[2]
  • Cathedral: The domicile church of a bishop, which contains the cathedra or bishop's chair.[2] The church building may be of whatsoever size.[iii]
  • Choir (or Quire): The part of the church usually across the transept and in line with the axis of the nave. The area may exist higher than the level of the nave.[3] The proper name choir is used considering traditionally the clergy of the Cathedral stood here as a chorus, chanting or singing during the responsive portion of Divine Offices or Mass.[4]
  • Catacomb: Usually the below ground foundation. Used for burial or as a chapel.[3]
  • Facade: The outside of the church building, where the main doors are located. In traditional medieval design, this faced the w and is chosen the West End.[2]
  • Narthex: The entrance or lobby expanse, located at the west end of the nave.
  • Nave: The primary expanse of public observance of the Mass.[three] It is by and large the largest space, and located between the narthex and sanctuary.
  • Radiating Chapels: Located around the Apse of the church, accessible from the Ambulatory.[two]
  • Sanctuary: An elevated platform that contains the main altar and associated liturgical elements that is restricted for ceremonial employ by the clergy, often fenced from adjoining spaces. Information technology is centered on the main east–westward centrality inside the east end and generally located within the choir or the apse.
  • Transept: Sometimes called the 'Crossing', the transept forms wings at right angles to the nave.[2] In early Romanesque churches, it was frequently at the eastward stop, creating a Tau Cantankerous. Later designs placed the transept about 2-thirds of the manner from the Due west End to the East End. This created the Latin cross plan.[3]

See also [edit]

  • Architecture of cathedrals and nifty churches
  • Church building architecture, including description of common terms
  • Listing of largest church buildings

References [edit]

  1. ^ French Cathedrals, René Jacques; Translated past Dorothy Plummer; Wilhelm Andermann, Munich, 1959
  2. ^ a b c d e f g h i The Cathedral, Course Guidebook; William R. Cook, State University of New York at Geneseo; The Smashing Courses, The Teaching Company; Chantilly, VA; 2010
  3. ^ a b c d e f 1000 h Cathedral, The Story of Its Construction; David Macaulay; The Trumpet Club; New York City; 1973
  4. ^ Webster'due south New World Lexicon, 2d Concise Edition; David B. Guralnik, General Editor; Simon and Schuster; New York Metropolis; 1979

External links [edit]

  • "Romanesque and Gothic Architecture Plans", www.owlnet.rice.edu, Rice University, Humanities Electronic Studio Project, HART, archived from the original on 24 June 2009
  • Salisbury Cathedral floor plan
  • Canterbury Cathedral: several flooring plans
  • Plan of Canterbury Cathedral
  • Durham Cathedral Layout
  • The Plans of Saint-Sernin, Toulouse and Amiens Cathedral
  • St. Patrick's Cathedral Floorplan (Armagh)
  • Exeter Cathedral Floorplan Archived July twenty, 2008, at the Wayback Auto

wardherefaing.blogspot.com

Source: https://en.wikipedia.org/wiki/Cathedral_floorplan

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